Total Art
The term "Total Art" was coined by art critic Adrian
Henri to describe the rich stew of environmental artwork, happenings,
installation, and performance that was at its peak in the late sixties
and early seventies. Many artists at this time were impatient with
the idea of art being restricted to the easel or even the studio
and were bringing their ideas out into the streets, the natural
landscape, via the airwaves, or through other innovative means.
These artists often used theater as a component in their exhibitions,
made art that the public could interact with, created huge installations,
or made cheap multiples that could be disseminated to a large audience.
The artists included Joseph Beuys (performance, installation), Christo
(land art), Walter de Maria (earth art), Les Levine (performance,
installation), Michelangelo Pistoletto (installation), Ed Ruscha
(cheap multiples), and many others.
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