Kinetic Art
In kinetic sculpture, the art does not only move, but its motion
is essential to its definition as a piece of art. The first kinetic
sculptures were made in the twenties by Marcel Duchamp and Naum
Gabo, who both abandoned their experiments with moving artworks.
Alexander Calder, the inventor of the mobile, is known as the father
of kinetic sculpture, and he was followed by George Rickey, Kenneth
Martin, Takis, POL BURY, and
others. Kinetic sculpture gains its movement through many means,
including chance activity of nature, electric motors, and magnetic
forces.
At its best, kinetic sculpture is graceful, thrilling, even surprising,
revealing ever-changing nuances of light, color, and form. Kinetic
artists gave visual form to something essentially not visual: movement.
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