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Artists & Works
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David Hockney
American, born Britain(b. 1937)
UNTITLED from Homage to Picasso (1973)
etching and aquatint
29.75" x 22.125" |
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STYLE: HOMAGE
TO PICASSO
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David Hockney has worked in printmaking, painting, drawing, filmmaking,
and theater design. He attended the Royal College of Art in London
in the fifties, where he met R.B. Kitaj. He became involved in the
British Pop movement, and visited America, where he became enthralled
by the American way of life, particularly the Californian way of
life. Hockney's success as an artist came very early; he never had
to rely on teaching. He has had many major retrospective exhibitions,
in part because his output is so varied, though he is perhaps best-known
for his photo-collages. Hockney's work is renowned worldwide and
is in most major collections.
Hockney has always had a strong commitment to portraying beauty.
He also loved to depict Hollywood, its sunshine, swimming pools,
delights, and deceptions. Starting out as a painter, he also became
interested in printmaking, photography, and other technologies,
usually working with master printmakers and other experts in these
fields to test the limits of what he could accomplish. Picasso was
always a hero to Hockney; in his print for the portfolio, he portrays
himself gazing at a bust of the master.
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CRITICAL EXCERPTS
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David Hockney and Larry Rivers, Art and Literature 2,
Summer, 1964
"Let's put it this way. Loads of people, particularly artists,
hate pretty pictures. Now I've never met anyone who didn't like
a pretty face. They don't complain the face is too pretty, too beautiful
and want something interesting. You go for the beautiful before
the interesting. I don't know what interesting means."
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Roberta Smith, New
York Times, 4/3/96
"Mr. Hockney, who was born in Bradford, Yorkshire, in 1937, started
out talented: the show begins with two ink drawings from a nude model
made when the artist was about 17 and attending a local art school.
They show an artist in complete control of both subject and medium,
already able to place the figure convincingly in space, already experimenting
with his materials and style. He reduces his lines to delicate dots
in some areas, smudges them into dark clouds elsewhere, as if he never
wanted the viewer to lose sight of the complex and shifting process
of creativity. From this solid beginning, Mr. Hockney has never stopped
developing, and in a sense one of the attractions of his art is that
he remains an excellent, hard-working student. The show whizzes through
phase after phase of his peripatetic career, from landscape to portraiture
to still life. And through multiple media, from colored pencil and
crayon, to pencil, charcoal, ink and gouache, to some techniques,
involving reproduction on photo-copying and fax machines, that he
has concocted himself." |
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